Sybil's Garage asks authors to suggest a "musical accompaniment" to go with their story. For a moment, I thought about choosing 4'33'' by John Cage. Four thirty-three is a three movement score that instructs the musicians to not play their instrument for the duration of the piece.
(The Wikipedia article is actually pretty great.)
I was thinking about it as a joke, one with some seriously pretentious flavors, but then I realized that telling someone that the best accompaniment to your story is the choice of doing nothing else doesn't just taste of pretension... It positively roars with it. Of course you want your story to flood their eyes, overwhelm their nose, saturate their skin, and batter its way down their ears and throats...You want it to momentarily obliterate everything except the world it contains. But to actually imply that it does... That's just more confidence than I've got.
(If you're curious, I chose the Chaconne from the Partita no. 2 in D minor for solo violin by Mr. Awesomeness Incarnate, J. S. Bach. It's one of my favorite pieces of music in all the world, going forwards and back.)
Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts
Tuesday, June 15, 2010
Wednesday, May 27, 2009
bruising powers of brevity, or, why you should read short stories
One of the most frustrating things about working at a bookstore is when you are telling someone about a book you love, one of those that you adore either madly and immoderately or sensibly and intelligently, and they listen to you politely before saying:
"Well, that sounds interesting. But it's really not my kind of thing."
And you're a little bit crushed, convinced that if only they tasted it, they would fall for it too; but it's perfectly fine for them to decline. They know themselves better than I do. They've been reading for years, and by now they know the general flavor of what works. I should leave them alone.
But.
There is something that I wish I could insist on. Everyone should read short stories! Look! I'll read you one myself, if you just stand here long enough. So many people tell me that they don't read short stories. They don't like them. They only want to read novels, the kind you can press your face into for several hours and emerge, glutted on the visions of someone else's life. Short stories seem pretty, they say, but what's the point of them?
The point of them is their shortness. They work with compression and omission, by leaving things out and taking shortcuts to the inside of your head where, once they get there, they unfold themselves, like a giant piece of origami undone. They bruise you with their hard edges, explode, amuse, devastate, and baffle. You can do things in a short story that would be exhausting if sustained for a novel. There's more space on the inside than you would suspect, more room for guessing, a looseness left for the reader to explore.
(Mr. Steven Millhauser has something to say on the subject, an interesting--and maybe faintly grumpy?--essay in the NY Times.)
I think the trick is that you have to figure out what kind of short stories you want to read. I used to avoid them because I thought they were all brief bits of ordinary people doing ordinary things, and that bored me (schools should use more imagination when selecting short fiction). What was the point of reading about something that I could see better by walking outside?
And then I discovered genre stories (I say "genre" and I mean mystery, fantasy, science fiction, anything where the strange and not quite possible actually happens). Edgar Allan Poe and Sir Arthur Conan Doyle, Kelly Link and Italo Calvino... Steven Millhauser, Neil Gaiman, Angela Carter, Etgar Keret, Jorge Luis Borges, Ray Bradbury, Raold Dahl (have you ever read his short stories? brilliant!), Ted Chiang, M. R. James, Kurt Vonnegut ("Harrison Bergeron" is the first short story that I couldn't stop thinking about for days and days after I read it), Avram Davidson... These stories smacked me in the head. They got up my nose and under my skin. They haunted, excited, and thrilled me; and I loved them.
And because I'm so in love with them, I want everyone else to love them to. Or, at least to give them the chance to introduce themselves.
Read short stories. Bruise your head.
"Well, that sounds interesting. But it's really not my kind of thing."
And you're a little bit crushed, convinced that if only they tasted it, they would fall for it too; but it's perfectly fine for them to decline. They know themselves better than I do. They've been reading for years, and by now they know the general flavor of what works. I should leave them alone.
But.
There is something that I wish I could insist on. Everyone should read short stories! Look! I'll read you one myself, if you just stand here long enough. So many people tell me that they don't read short stories. They don't like them. They only want to read novels, the kind you can press your face into for several hours and emerge, glutted on the visions of someone else's life. Short stories seem pretty, they say, but what's the point of them?
The point of them is their shortness. They work with compression and omission, by leaving things out and taking shortcuts to the inside of your head where, once they get there, they unfold themselves, like a giant piece of origami undone. They bruise you with their hard edges, explode, amuse, devastate, and baffle. You can do things in a short story that would be exhausting if sustained for a novel. There's more space on the inside than you would suspect, more room for guessing, a looseness left for the reader to explore.
(Mr. Steven Millhauser has something to say on the subject, an interesting--and maybe faintly grumpy?--essay in the NY Times.)
I think the trick is that you have to figure out what kind of short stories you want to read. I used to avoid them because I thought they were all brief bits of ordinary people doing ordinary things, and that bored me (schools should use more imagination when selecting short fiction). What was the point of reading about something that I could see better by walking outside?
And then I discovered genre stories (I say "genre" and I mean mystery, fantasy, science fiction, anything where the strange and not quite possible actually happens). Edgar Allan Poe and Sir Arthur Conan Doyle, Kelly Link and Italo Calvino... Steven Millhauser, Neil Gaiman, Angela Carter, Etgar Keret, Jorge Luis Borges, Ray Bradbury, Raold Dahl (have you ever read his short stories? brilliant!), Ted Chiang, M. R. James, Kurt Vonnegut ("Harrison Bergeron" is the first short story that I couldn't stop thinking about for days and days after I read it), Avram Davidson... These stories smacked me in the head. They got up my nose and under my skin. They haunted, excited, and thrilled me; and I loved them.
And because I'm so in love with them, I want everyone else to love them to. Or, at least to give them the chance to introduce themselves.
Read short stories. Bruise your head.
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